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	<title><![CDATA[music biz academy.com Resources | BNET]]></title>
	<link><![CDATA[http://resources.bnet.com/topic/music+biz+academy.com.html]]></link>
	<description><![CDATA[White papers, case studies, business articles, and blog posts relating to music biz academy.com]]></description>
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		<title><![CDATA[Money for Your Music: The Cold Hard Facts About Music Licensing]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=103748]]></link>
		<description><![CDATA[Music can be used in four broad categories under copyright law: Adaptation, Recording, Reproduction, and Public Performance. Depending on where and how someone is going to use a song, there are mechanical rights and synchronization rights that have to be negotiated, and the various parties involved may include the songwriter,...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Sat, 01 Nov 2003 00:00:00 -0800</pubDate>
		<category domain="http://resources.bnet.com/topic/music.html"><![CDATA[Music]]></category>
		<category domain="http://resources.bnet.com/topic/music+biz+academy.com.html"><![CDATA[Music Biz Academy.com]]></category>
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		<title><![CDATA[Changes in the Way Music Is Sold Over the Last 30 Years]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=110196]]></link>
		<description><![CDATA[Artists and bands like Bob Dylan and Pink Floyd established their careers in a very different business climate than acts like Ani DeFranco or Jurassic 5 would do throughout the 90's and into the new millennium. In the early 70's the record industry had just awakened from the psychedelic dreams...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Sat, 01 Feb 2003 00:00:00 -0800</pubDate>
		<category domain="http://resources.bnet.com/topic/artist.html"><![CDATA[Artist]]></category>
		<category domain="http://resources.bnet.com/topic/music.html"><![CDATA[Music]]></category>
		<category domain="http://resources.bnet.com/topic/music+biz+academy.com.html"><![CDATA[Music Biz Academy.com]]></category>
		<category domain="http://resources.bnet.com/topic/professional+development.html"><![CDATA[Professional Development]]></category>
		<category domain="http://resources.bnet.com/topic/career.html"><![CDATA[Career]]></category>
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		<title><![CDATA[25 Things to Remember About Record Distribution]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=110200]]></link>
		<description><![CDATA[This paper provides some insights which about records distribution like, Distributors will usually only work with labels that have been in business for at least 3 years or have at least 3 previous releases that have sold several thousand copies each. Distributors get records into retail stores, and record labels...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Sun, 01 Dec 2002 00:00:00 -0800</pubDate>
		<category domain="http://resources.bnet.com/topic/distribution.html"><![CDATA[Distribution]]></category>
		<category domain="http://resources.bnet.com/topic/retail+company.html"><![CDATA[Retail Company]]></category>
		<category domain="http://resources.bnet.com/topic/music+biz+academy.com.html"><![CDATA[Music Biz Academy.com]]></category>
		<category domain="http://resources.bnet.com/topic/retail.html"><![CDATA[Retail]]></category>
		<category domain="http://resources.bnet.com/topic/marketing+research.html"><![CDATA[Marketing Research]]></category>
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		<title><![CDATA[Foreign Licensing of Records: Licensing Your Music Overseas]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=103747]]></link>
		<description><![CDATA[The article refers to music licensing. If you are an artist or indie label, one way to significantly expand your universe is to license your master recordings to record companies outside the United States. There are various advantages of doing so. Aside from the obvious advantage of generating additional record...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Sun, 01 Sep 2002 00:00:00 -0700</pubDate>
		<category domain="http://resources.bnet.com/topic/record+company.html"><![CDATA[Record Company]]></category>
		<category domain="http://resources.bnet.com/topic/advantage.html"><![CDATA[Advantage]]></category>
		<category domain="http://resources.bnet.com/topic/music.html"><![CDATA[Music]]></category>
		<category domain="http://resources.bnet.com/topic/music+biz+academy.com.html"><![CDATA[Music Biz Academy.com]]></category>
		<category domain="http://resources.bnet.com/topic/sales+strategy.html"><![CDATA[Sales Strategy]]></category>
		<category domain="http://resources.bnet.com/topic/sales.html"><![CDATA[Sales]]></category>
	</item>
	<item>
		<title><![CDATA[A Music Business Revolution]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=110198]]></link>
		<description><![CDATA[The evolution of the music business over the last hundred years or so has been filled with innovation, exploitation, and opportunities for everyone who had an investment in music. Songwriters, musicians, recording studios, producers, record labels, radio broadcasters, distributors, and retailers, as well as live performance venues and music publicists,...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Mon, 01 Jul 2002 00:00:00 -0700</pubDate>
		<category domain="http://resources.bnet.com/topic/performance.html"><![CDATA[Performance]]></category>
		<category domain="http://resources.bnet.com/topic/music+biz+academy.com.html"><![CDATA[Music Biz Academy.com]]></category>
		<category domain="http://resources.bnet.com/topic/performance+management.html"><![CDATA[Performance Management]]></category>
		<category domain="http://resources.bnet.com/topic/retail.html"><![CDATA[Retail]]></category>
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