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- Life after formalism: in the 1960s, Anthony Caro, Helen Frankenthaler, Kenneth Noland, Jules Olitski and Larry Poons were often corralled together as Greenberg-approved modernists. In recent years, however, their work has developed in diverse and surprisi
- F. Scott Fitzgerald could have been talking about the art world when he observed that there are no second acts in American lives. Artists are assigned to the moment when they first attracted public attention and immovably associated with the work that established their reputations--no allowance for development or variation...
- Research articles 2001-11-01
- "The Green Mountain Boys." (Color Field paintings at Andrew Emmerich Gallery, New York, New York)
- Color Field paintings from the 1960s are on display at the Helen Frankenthaler exhibition at the Andre Emmerich Gallery in New York, NY. 'The Green Mountain Boys: Caro, Feeley, Noland, and Olitski at Bennington in the 1960s' is characterized by two stained Olitskis and one sprayed painting entitled 'Pink Shush.'...
- Research articles 1998-04-01
- Irreplaceable hue. (color field painting)
- Art patronage decidedly tends toward Minimalist art, yet color field painting seems to be regaining its lost popularity. While Minimalist art deliberately appears to detach itself from wealth and power, color field painting suggests a richness of weight and color that provides the viewer with an overwhelming visual experience. Color...
- Research articles 1994-09-01
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