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	<title><![CDATA[sae educational trust Resources | BNET]]></title>
	<link><![CDATA[http://resources.bnet.com/topic/sae+educational+trust.html]]></link>
	<description><![CDATA[White papers, case studies, business articles, and blog posts relating to sae educational trust]]></description>
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		<title><![CDATA[MIDI Versus Alternative: The Future of Music Instrument Control]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=133386]]></link>
		<description><![CDATA[The musical digital interface MIDI is a widely used standard for remotely controlling musical devices and other performance equipment, having established the market dominance within the electronic instrument-sector for over two decades. This paper considers the inherent limitations of the MIDI protocol and seeks to reveal its current status through...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Sun, 01 Aug 2004 00:00:00 -0700</pubDate>
		<category domain="http://resources.bnet.com/topic/midi.html"><![CDATA[MIDI]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
	</item>
	<item>
		<title><![CDATA[Identification, Research and Development of an Electronic Product for Implementation in a Club or Live Music Environment]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=133387]]></link>
		<description><![CDATA[This paper describes a design project. The project itself involves in finding a problem and proving that it does actually exist, researching existing products that relate to the problem, drawing up a specification and creating a solution. This project is aimed at audiences who have a basic understanding of the...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Sun, 01 Aug 2004 00:00:00 -0700</pubDate>
		<category domain="http://resources.bnet.com/topic/project.html"><![CDATA[Project]]></category>
		<category domain="http://resources.bnet.com/topic/r%2526d.html"><![CDATA[R&D]]></category>
		<category domain="http://resources.bnet.com/topic/environment.html"><![CDATA[Environment]]></category>
		<category domain="http://resources.bnet.com/topic/music.html"><![CDATA[Music]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
		<category domain="http://resources.bnet.com/topic/research+%2526+development.html"><![CDATA[Research & Development]]></category>
		<category domain="http://resources.bnet.com/topic/strategy.html"><![CDATA[Strategy]]></category>
		<category domain="http://resources.bnet.com/topic/business+operations.html"><![CDATA[Business Operations]]></category>
		<category domain="http://resources.bnet.com/topic/management.html"><![CDATA[Management]]></category>
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	<item>
		<title><![CDATA[Going Audio-Visual: Right Step for Live Music Entertainment?]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=133385]]></link>
		<description><![CDATA[The research on audio-visual for live music, discussed in this paper uses an inductive paradigm. The general principle and the final conclusion were derived from several independent stages. Each stage has brought necessary data for the final analysis & conclusion of the research question. The research concludes that some very...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Thu, 01 Jan 2004 00:00:00 -0800</pubDate>
		<category domain="http://resources.bnet.com/topic/entertainment.html"><![CDATA[Entertainment]]></category>
		<category domain="http://resources.bnet.com/topic/music.html"><![CDATA[Music]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
		<category domain="http://resources.bnet.com/topic/advertising+%2526+promotion.html"><![CDATA[Advertising & Promotion]]></category>
		<category domain="http://resources.bnet.com/topic/marketing.html"><![CDATA[Marketing]]></category>
	</item>
	<item>
		<title><![CDATA[The Impact of High-Speed Network Transmission in Music Production]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=122213]]></link>
		<description><![CDATA[Music Production in the 21st Century is entering a new phase where new communication technology will encourage new types of collaboration. This report provides an analysis into how high-speed network technology impacts the traditional working methods in music collaboration. This report reviews how new technology must retain the unique atmosphere...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Fri, 05 Dec 2003 00:00:00 -0800</pubDate>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
		<category domain="http://resources.bnet.com/topic/collaboration.html"><![CDATA[Collaboration]]></category>
		<category domain="http://resources.bnet.com/topic/groupware.html"><![CDATA[Groupware]]></category>
		<category domain="http://resources.bnet.com/topic/networking.html"><![CDATA[Networking]]></category>
		<category domain="http://resources.bnet.com/topic/enterprise+software.html"><![CDATA[Enterprise Software]]></category>
		<category domain="http://resources.bnet.com/topic/software.html"><![CDATA[Software]]></category>
	</item>
	<item>
		<title><![CDATA[Investigation Into Collaborations Between Musicians and Technicians]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=133382]]></link>
		<description><![CDATA[This is a qualitative study that looks at music technology advances that have been the product of s musical and technical relationships. Technological books and studies, social history, music history books and resources have been studied and evaluated, along with education institute web-sites have been utilized, compared and contrasted as...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Fri, 19 Sep 2003 00:00:00 -0700</pubDate>
		<category domain="http://resources.bnet.com/topic/investigation.html"><![CDATA[Investigation]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
		<category domain="http://resources.bnet.com/topic/collaboration.html"><![CDATA[Collaboration]]></category>
		<category domain="http://resources.bnet.com/topic/groupware.html"><![CDATA[Groupware]]></category>
		<category domain="http://resources.bnet.com/topic/enterprise+software.html"><![CDATA[Enterprise Software]]></category>
		<category domain="http://resources.bnet.com/topic/software.html"><![CDATA[Software]]></category>
	</item>
	<item>
		<title><![CDATA[A Musical Analysis of the Music of the Pixies, in Terms of Their Influences & Their Subsequent Influence]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=133383]]></link>
		<description><![CDATA[This paper is an analytical study of the music of the Pixies, in terms of their influences, their subsequent influence and their place in popular music history. The project is divided into five main sections: the evolution of the band's sound; the Pixies' primary influences; their secondary influences; their minor,...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Mon, 01 Sep 2003 00:00:00 -0700</pubDate>
		<category domain="http://resources.bnet.com/topic/influence.html"><![CDATA[Influence]]></category>
		<category domain="http://resources.bnet.com/topic/analysis.html"><![CDATA[Analysis]]></category>
		<category domain="http://resources.bnet.com/topic/music.html"><![CDATA[Music]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
	</item>
	<item>
		<title><![CDATA[The Model Layer of an Object-Oriented Framework for Music Production Software]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=133384]]></link>
		<description><![CDATA[The current selection of music production applications involves a great software design challenge. In order to develop new products, software developers have to tackle complex systems. The suggested framework solves the complexity of such systems by constructing a combined graph and hierarchical structure. The framework defines three basic abstractions: Component...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Mon, 01 Sep 2003 00:00:00 -0700</pubDate>
		<category domain="http://resources.bnet.com/topic/software.html"><![CDATA[Software]]></category>
		<category domain="http://resources.bnet.com/topic/class.html"><![CDATA[Class]]></category>
		<category domain="http://resources.bnet.com/topic/framework.html"><![CDATA[Framework]]></category>
		<category domain="http://resources.bnet.com/topic/object-oriented.html"><![CDATA[Object-oriented]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
		<category domain="http://resources.bnet.com/topic/tools+%2526+techniques.html"><![CDATA[Tools & Techniques]]></category>
		<category domain="http://resources.bnet.com/topic/ooa%252food%252foop.html"><![CDATA[Ooa/Ood/Oop]]></category>
		<category domain="http://resources.bnet.com/topic/management.html"><![CDATA[Management]]></category>
		<category domain="http://resources.bnet.com/topic/software+development.html"><![CDATA[Software Development]]></category>
		<category domain="http://resources.bnet.com/topic/software%252fweb+development.html"><![CDATA[Software/Web Development]]></category>
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		<title><![CDATA[The Other Side of the Stage: A Study on Monitor Mixing Techniques in a Handbook for the Stage Engineer]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=133380]]></link>
		<description><![CDATA[This paper deals with an investigation of a particular aspect of live music engineering, monitor or stage engineering. It analyses and discusses techniques, equipment and methodologies in order to be able to write a guide for stage engineers. The purpose of this research project therefore, is to produce a handbook...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Sat, 01 Feb 2003 00:00:00 -0800</pubDate>
		<category domain="http://resources.bnet.com/topic/technique.html"><![CDATA[Technique]]></category>
		<category domain="http://resources.bnet.com/topic/monitor.html"><![CDATA[Monitor]]></category>
		<category domain="http://resources.bnet.com/topic/handbook.html"><![CDATA[Handbook]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
		<category domain="http://resources.bnet.com/topic/monitors+%2526+displays.html"><![CDATA[Monitors & Displays]]></category>
		<category domain="http://resources.bnet.com/topic/productivity.html"><![CDATA[Productivity]]></category>
		<category domain="http://resources.bnet.com/topic/hardware.html"><![CDATA[Hardware]]></category>
		<category domain="http://resources.bnet.com/topic/components.html"><![CDATA[Components]]></category>
	</item>
	<item>
		<title><![CDATA[The Other Side of the Stage - A Handbook for Monitor Engineers]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=133381]]></link>
		<description><![CDATA[The live concert industry has grown very quickly in the last few years: live concerts are now big events, where the audience can experience the latest audio and visual effects. Due to this high degree of technology, organizing a concert is much more difficult than before: everyone involved in the...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Wed, 01 Jan 2003 00:00:00 -0800</pubDate>
		<category domain="http://resources.bnet.com/topic/monitor.html"><![CDATA[Monitor]]></category>
		<category domain="http://resources.bnet.com/topic/concert.html"><![CDATA[Concert]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
		<category domain="http://resources.bnet.com/topic/concert+industry.html"><![CDATA[Concert Industry]]></category>
		<category domain="http://resources.bnet.com/topic/monitors+%2526+displays.html"><![CDATA[Monitors & Displays]]></category>
		<category domain="http://resources.bnet.com/topic/professional+development.html"><![CDATA[Professional Development]]></category>
		<category domain="http://resources.bnet.com/topic/hardware.html"><![CDATA[Hardware]]></category>
		<category domain="http://resources.bnet.com/topic/components.html"><![CDATA[Components]]></category>
		<category domain="http://resources.bnet.com/topic/career.html"><![CDATA[Career]]></category>
	</item>
	<item>
		<title><![CDATA[An Analysis of the Past, Current and Possible Future Impacts Posed by the Internet on Major Record Labels]]></title>
		<link><![CDATA[http://jobfunctions.bnet.com/abstract.aspx?docid=131913]]></link>
		<description><![CDATA[This paper analyses the threats and opportunities posed by the Internet on the major record labels as opposed to the entertainment industry as a whole. It discusses how copyrighted music on the Internet ('the free flow of information') affects the majors and how they are already dealing with it, in...]]></description>
		<s:doctype><![CDATA[White papers]]></s:doctype>
		<pubDate>Wed, 17 Apr 2002 00:00:00 -0700</pubDate>
		<category domain="http://resources.bnet.com/topic/analysis.html"><![CDATA[Analysis]]></category>
		<category domain="http://resources.bnet.com/topic/sae+educational+trust.html"><![CDATA[SAE Educational Trust]]></category>
		<category domain="http://resources.bnet.com/topic/internet.html"><![CDATA[Internet]]></category>
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